Midnight Costume Services is finally at the end of a long run of Costumes for an Entertainment Park, and this job comes to a close with a Panto! Dick Whittington… and I thought I’d share the process of making some of the pieces, like King Rats Tail Coat!
Easily my favorite Costume to make so far, I decided to loosely Hand Tailor the Tailcoat to support a couple of incredibly dramatic Shoulder Pads. To get the right look I played about with layering existing Shoulder Pads and felt but in the end- even though it was more work- I had to resort to a more traditional technique and ended up layering the felt in decreasing sizes to build up a pointed, exaggerated Shoulder. As you can see in the first picture using the existing Shoulder Pads looked super clunky!
Using a mixture of hand stitching, machine stitching and a little bit of glue, each Shoulder Pad has about 20 layers of felt and is quite malleable, allowing me to gently sculpt a curve. I haven’t some this in a while and I was super pleased with the results!
I found some (pretty disgusting, but amazing for the purpose!) quilted fabric which I thought looked a little like Bin Bags… it’s the kinda thing I thought the King of Rats’ would have a tailored jacket out of!! In a concession to the performers I created the sleeves from a stretch Leather- which is why they look a little like they’re pulling- but means the Jacket will fit multiple performers and wont restrict movement.
The mannequin this is pictured on is a little too large, but I think it still looks majestic!
I find Panto a difficult beast to design for, I want to do character analysis to find their motivation and design around that, which doesn’t really work here. It’s all a bit too tongue in cheek, shiny and primary coloured for me but in starting with King Rat I helped myself a lot! Deciding that as a character he would have had quilted and embroidered bin bags fashioned in to a Tailcoat got me on my way.
I also fashioned medals and ribbons for the lapel, because of course he would be decorated!, and used lace and matt black sequins to applique and embroider detailing in the lapel and jacket. With a final sprinkling of darkly glittery hot stones and a Top Hat I think he turned out to be quite the dandy!
The hat was hand stitched and created using strips and fragments from the Tail Coat machine embroidered on, with layers of sparkly net and sequins overlayed. Slightly battered- he does live in the sewers after all!-the ears were made from faux fur, a lot of dye and sprayed dye.
As I have a commission to create a White and Gold Louis XVI Sun King Tail Coat I am really pleased this turned out so well. The Sun King Tail Coat will have to be much more viciously tailored to create a base for a spectacular Gold Feathered Shoulder Piece, and I can’t wait to share it!!